Taking hold of rhythm that is close. Resonance.
To see through it. My scale; shared scale. Measure.
So through the rhythm, position and fix a point of view, both forward and back.
I have been drawing in books, on paper and on maps.
Starting on the grid, sometimes ending with the grid. Meshed.
I have been writing, and deleting. Remove.
In the studio thinking about Paris. Walking.
My summer thoughts and practice have floated freely, just out of reach. Retrieve.
Studio reading - Art and Phenomenology, edited by Joseph Parry.
‘…she does not simply look for a pattern, much less the pattern, but rather for “ a certain way of patterning the world,” that she recognises as such, and in recognising it, simultaneously recognises that her ability to recognise a pattern originates in the structures of her own being in the world.’ *
To see through it. My scale; shared scale. Measure.
So through the rhythm, position and fix a point of view, both forward and back.
I have been drawing in books, on paper and on maps.
Starting on the grid, sometimes ending with the grid. Meshed.
I have been writing, and deleting. Remove.
In the studio thinking about Paris. Walking.
My summer thoughts and practice have floated freely, just out of reach. Retrieve.
Studio reading - Art and Phenomenology, edited by Joseph Parry.
‘…she does not simply look for a pattern, much less the pattern, but rather for “ a certain way of patterning the world,” that she recognises as such, and in recognising it, simultaneously recognises that her ability to recognise a pattern originates in the structures of her own being in the world.’ *
*Art and Phenomenology, edited by Joseph D. Parry. Routledge, 2011, Page 172.