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Central St Martins (1990-93)

24/3/2014

10 Comments

 

This week I added three slideshows - all to do with being a painting student at Central St Martins School of Art at Charing Cross Road, London, for three years from 1990 to 1993.

  • 1993 Final Year Show
  • 1991/92 First and Second year
  • Visit on April 8th 2011 just before they closed it!


1993 
Final Year Show  / We Are All Good Drivers Here


My BA (Hons) Fine Art Painting group:

Iris Argyropoulou, Trudy Barber, Lucy Banaji, Rupert Burt, Finn Bush, Katia Cadman, Terence Castle, Hsaio-Tze Chang, Stephen Cornell, Sean Dawson, Howard Dyke, Bernard Elsmere, Larissa Lu Faroghi, Matthew Flintham, Tina Friday, Jade Gibson, Kevin Hendley, William Hicks, Jane Hinchliffe, Katrine Hjelde, Kirst Holbrow, Jonathan Kennedy, Kathy Kubicki, Theo Lambrianides, Assya Makkawi, Edward McCarten, Sacha Meaden, Joanna Middlemass, Martine Moore, Michelle Murray, Brenda Noonan, Jane Porter, Clare Price, Anna Schroeder, Corinne Stevens, Emma Sullivan and Benjamin Winter



1991 / 1992         Student Years 1 &  2





Photos of my visit in April 2011 to St Martins just before the school moved out forever.



10 Comments
Caroline Radcliffe
24/3/2014 07:26:54 am

Ha ha!!! The Volvos.... x

Reply
Caroline Radcliffe
24/3/2014 07:28:48 am

These paintings bring back so many memories and so many people who have become aligned to your paintings. x

Reply
Claudia Bose
25/3/2014 08:37:45 am

Caroline, Thank you, what a lovely thing to say ! x C

Reply
Elizabeth Williams link
4/4/2014 12:14:51 pm

Feeling a little nostalgic - I was a painting student around the same time in San Francisco...

Reply
Lucy Banaji link
2/9/2014 06:24:13 pm

Hi Claudia, I've just come across your website and it's brought back lots of memories of those broken up studios where I spent many hours not doing a great deal. Those were very productive years for you. I'm glad to see you're still painting. I have a very vivid memory from that time. The day was 17th January 1991 and we were doing a film crossover week and the two of us walked around Covent Garden asking people how they felt that day and recording their answers. It was the day before the Iraq war began. I wonder if you still have the recording? All the best, Lucy

Reply
Claudia Bose link
20/10/2014 11:41:46 pm

Hi Lucy, Wonderful hearing from you. How are you? Of course I remember you very much and the day, esp. round Neal Street, I used a builders answer as a loop for the anmation I made with Nelly Cook. Please drop me an email via cboese@cheerful.com

Reply
Lucy
13/3/2017 02:11:22 am

Hi Claudia - Sorry I'm two years late in replying to you but it's great to read your reply here! I'll email you soon. Lucy

Lee-Anne
5/9/2014 11:25:54 pm

Would anyone know how to get in touch with Katia Cadman? I'm an old friend from South Africa from the early 90's in London. TY

Reply
Claudia Boese link
20/10/2014 11:45:21 pm

Hi Lee-Anne, Sorry for my late reply but as I am not a reside resident anymore since July I have not checked mails. Unfortunately I cannot help you as I think Katja went back to France. However if you send a mail to the artist Sean Dawson via his webmail he might more than me. Good luck and best wishes, Claudia

Reply
Assya link
31/7/2017 11:44:00 am

Hey Claudia, absolutely wonderful to come across this. I was your silly studio space partner - I remember your cars!!! Awesome! I hope you're really well. Would love to get in touch. xxx

Reply



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    Author

    CLAUDIA BÖSE,  a painter based in Ipswich, Suffolk.
     
    I construct my paintings through process, led by daily life, history and nature. I hope my ongoing engagement with light, colour and forms creates a new perception.

    I am inspired and guided by the painterly process and its relation to abstraction; the way I handle paint invites an audience to consider my work without prejudice.
    Decisions about when and how I use paint are also strongly guided by my empathy for work which has been created by other women painters.


    I am drawn to regions which could be described as, geographical and psychological borderlands, especially those which have been interpreted throughout history by artists and writers.

    Recently I began working in a new studio based high in the church tower of a modernist church in Ipswich; this is also adjacent to our allotment.
    The very unusual perspective in tandem with attending to plants has already provided a different grounding and enrichment for my work.

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