The Reside Residency
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  • Reside Blog: Serena Smith
  • Reside Blog: Richard Devereux
  • Reside Blog: Kate Beck
  • Reside Blog: Marion Piper
  • Reside Blog: Claudia Böse
  • Reside Blog: Bridget H Jackson
  • Reside Blog: Michaela Nettell
  • Reside Blog: Anthony Boswell
  • Reside Blog: Susan Francis
  • Reside Blog: Corinna Spencer
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PENULTIMATE BLOG

29/7/2014

2 Comments

 
Six months are nearly over and I really lived the Reside residency rather than writing about it. Its conditions supported me in my then still new local church tower studio and allotment.
But this residency also assisted me in making virtual connections, like twitter and most recently on facebook.

The Reside blog was a wonderful new space in which to position images of my realities.
Unfortunately I am quite slow and it was  too short a time for me to engage meaningfully with peoples responses.

I've really enjoyed being part of this platform, figuring and trying things out and articulating my ideas.

I feel when the body is bound by time and place the soul can be free too.


I announce the next Reside Residency artist this Thursday here and on twitter when I publish my final post!

2 Comments
Janet MacFadyen
28/7/2014 10:18:12 pm

Claudia, if I could find you on Facebook, I would friend you!

Reply
Claudia link
28/7/2014 10:25:13 pm

Hi Janet,
Lovely hearing from you! Right back at Cill Rialaig!
Hope all is well and poetry flowing. X C
See
www.facebook.com/claudia.boese.568
twitter: @claudiabose2
@obscure_secure

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    Author

    CLAUDIA BÖSE,  a painter based in Ipswich, Suffolk.
     
    I construct my paintings through process, led by daily life, history and nature. I hope my ongoing engagement with light, colour and forms creates a new perception.

    I am inspired and guided by the painterly process and its relation to abstraction; the way I handle paint invites an audience to consider my work without prejudice.
    Decisions about when and how I use paint are also strongly guided by my empathy for work which has been created by other women painters.


    I am drawn to regions which could be described as, geographical and psychological borderlands, especially those which have been interpreted throughout history by artists and writers.

    Recently I began working in a new studio based high in the church tower of a modernist church in Ipswich; this is also adjacent to our allotment.
    The very unusual perspective in tandem with attending to plants has already provided a different grounding and enrichment for my work.

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