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First posting of 7th reside residency

2/2/2014

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Thanks a million to Bridget H Jackson.  Also thank you very much to all previous residents: Michaela Nettell, Anthony Boswell, Susan Francis, Corinna Spencer and Karl England.
I found engaging with the application itself already very intriguing, just imagining a voyage with reside, allowing its playful concept, its endless possibilities to work on me! And now I am already right in it.
Yesterday I read in an interview with Andrea Arnold, the film maker, talking about working with 'actors' in her films. Does it apply when working with  'characters in  paintings' as well as starting a residency?
"I try not to think. Thinking is the enemy. If you think, you judge, and you have to not judge your characters. You have to let them live, and if they do something that you find a bit difficult, then so be it. The best thing is if they take you on a journey. If you have to push them around and make them do things and you're thinking about it, for me that's the worst place -
that's where you get stuck because you have so many choices."
(Sight and Sound, October 09, Volume 19, Issue 10, ESTATE OF MIND,  p. 16-19)

1 Comment
Courbet's Tent link
2/2/2014 05:29:15 pm

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    Author

    CLAUDIA BÖSE,  a painter based in Ipswich, Suffolk.
     
    I construct my paintings through process, led by daily life, history and nature. I hope my ongoing engagement with light, colour and forms creates a new perception.

    I am inspired and guided by the painterly process and its relation to abstraction; the way I handle paint invites an audience to consider my work without prejudice.
    Decisions about when and how I use paint are also strongly guided by my empathy for work which has been created by other women painters.


    I am drawn to regions which could be described as, geographical and psychological borderlands, especially those which have been interpreted throughout history by artists and writers.

    Recently I began working in a new studio based high in the church tower of a modernist church in Ipswich; this is also adjacent to our allotment.
    The very unusual perspective in tandem with attending to plants has already provided a different grounding and enrichment for my work.

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